Kanthapura- Raja Rao.
Plot Overview-
Raja Rao’s first novel
Kanthapura (1938) is the story of a village in south India named Kanthapura.
The novel is narrated in the form of a ‘sthalapurana’ by an old woman of the
village, Achakka. Kanthapura is a traditional caste ridden Indian village which
is away from all modern ways of living. Dominant castes like Brahmins are
privileged to get the best region of the village whereas Sudras, Pariahs are
marginalized. The village is believed to have protected by a local deity called
Kenchamma. Though casteist, the village has got a long nourished
traditions of festivals in which all castes interact and the villagers are
united.
The main character of the novel Moorthy is a Brahmin who discovered a half
buried ‘linga’ from the village and installed it. A temple is built there,
which later became the centre point of the village life. All ceremonies and
festivals are celebrated within the temple premises. Hari-Kathas,
a traditional form of storytelling, was practiced in the village. Hari-Kathas
are stories of Hari(God). One Hari-Katha man, Jayaramachar, narrated a Hari
Katha based on Gandhi and his ideals. The narrator was arrested because of the
political propaganda instilled in the story.
The
novel begins its course of action when Moorthy leaves for the city where he got
familiar with Gandhian philosophy through pamphlets and other literatures. He
followed Gandhi in letter and spirit. He wore home spun khaddar. Discarded
foreign clothes and fought against untouchability. This turned the village
priest, a Brahmin, against him who complained to the swami who was a supporter
of foreign government and Moorthy was ex-communicated. Heartbroken
to hear it, his mother Narasamma passed away. Bade Khan was a police
officer, a non hindu of Kanthapura. He was brought and supported by the coffee
planters who were Englishmen. Considered as an outsider, Bade khan is an enemy
of the people who refuses to provide shelter to him.
After
the death of his mother, Moorthy started living with an educated widow
Rangamma, who took part in India’s struggle for freedom. Moorthy was invited by
Brahmin clerks at Skeffington coffee estate to create an awareness among the
coolies of the estate. When Moorthy turned up, Bade Khan hit him and the pariah
coolies stood with Moorthy. Though he succeeded in following
Gandhian non violence principle, the incident made him sad and
unhappy. Rachanna and family were thrown out of the estate
because of their role in beating Bade Khane. Meanwhile, Moorthy continued his
fight against injustice and social inequality and became a staunchest ally of
Gandhi. Taking the responsibility of the violent actions happened at the estate;
Moorthy went on a three day long fasting and came out victorious and morally
elated.Following the footsteps of Gandhi, a unit of the congress committee was
formed in Kanthapura. Gowada, Rangamma, Rachanna and seenu were elected as the
office bearers of the committee and they avowed to follow Gandhi’s teachings.
Fearing the greater
mobility of people of Kanthapura under the leadership of Moorthy, the foreign
government accused him of provoking people to inflict violence it and arrested
him. Though Rangamma and Rachanna were willing to release him on bail, he
refused. He was punished for three months rigorous imprisonment. While
Moorthy spent his days in prison, the women of Kanthapura took charge of the
struggle for freedom. They formed Women’s Volunteer Corps under the leadership
of Rangamma who instilled patriotism among the women by presenting thr
historical figures like Laxmi Bai of thansi, rajput princess, Sarojini Naidu
etc... Moorthy was released later and he came out as strong as he was. People
thronged at his house were dispersed peacefully.
Dandi
March, Picketting of Boranna’s toddy grove were other activities led by Moorthy
after his release. Arrest of the satyagrhis, and police brutality to women
became a part of the everyday life of the people in Kanthapura. Atrocities
against women added miseries of the people. In the last part o the novel, it is
mentioned that people of the village were settled in Kashipur and Kanthapura
was occupied by people from Bombay. The theme of Kanthapura may be
summed up as ‘Gandhi and our village’, but the style of narration makes the
books more a Gandhi Purana than a piece of mere fiction. Gandhi is the
invisible God, Moorthy is the visible Avatar. The reign of the rodmen is Asuric
rule, and it is resisted by the Devdas, the Satyagrahis. The characters sharply
divide into two camps: the Rulers (and their supporters) on the one hand and
the Satyagrahis (and their sympathizers) on the other. These are various other divisions too.
The dramatic tale unfolds in a
poetic, almost mythical style which conveys as never before the rich textures
of Indian rural life. The narrator is an old woman, imbued with the legendary
history of the region, who knows the past of all the characters and comments on
their actions with sharp-eyed wisdom. Her narrative, and the way she tells it,
evokes the spirit of India’s traditional folk-epics. This edition includes
extensive notes on Indian myths, religion, social customs, and the independence
movement which fill out the background for the American reader’s more complete
understanding and enjoyment.”
Comments
Post a Comment