Emma- Jane Austen.
Plot Overview-
Harriet becomes infatuated with Mr.
Elton under Emma’s encouragement, but Emma’s plans go awry when Elton makes it
clear that his affection is for Emma, not Harriet. Emma realizes that her
obsession with making a match for Harriet has blinded her to the true nature of
the situation. Mr.
Knightley , Emma’s brother-in-law and
treasured friend, watches Emma’s matchmaking efforts with a critical eye. He
believes that Mr. Martin is a worthy young man whom Harriet would be lucky to
marry. He and Emma quarrel over Emma’s meddling, and, as usual, Mr. Knightley
proves to be the wiser of the pair. Elton, spurned by Emma and offended by her
insinuation that Harriet is his equal, leaves for the town of Bath and marries
a girl there almost immediately.
Emma is left to comfort Harriet and to
wonder about the character of a new visitor expected in Highbury Mr. Weston’s
son, Frank
Churchill. Frank is set to visit his father
in Highbury after having been raised by his aunt and uncle in London, who have
taken him as their heir. Emma knows nothing about Frank, who has long been
deterred from visiting his father by his aunt’s illnesses and complaints. Mr.
Knightley is immediately suspicious of the young man, especially after Frank
rushes back to London merely to have his hair cut. Emma, however, finds Frank
delightful and notices that his charms are directed mainly toward her. Though
she plans to discourage these charms, she finds herself flattered and engaged
in a flirtation with the young man. Emma greets Jane Fairfax,
another addition to the Highbury set, with less enthusiasm. Jane is beautiful
and accomplished, but Emma dislikes her because of her reserve and, the
narrator insinuates, because she is jealous of Jane.
Suspicion, intrigue, and
misunderstandings ensue. Mr. Knightley defends Jane, saying that she deserves
compassion because, unlike Emma, she has no independent fortune and must soon
leave home to work as a governess. Mrs. Weston suspects that the warmth of Mr.
Knightley’s defense comes from romantic feelings, an implication Emma resists.
Everyone assumes that Frank and Emma are forming an attachment, though Emma
soon dismisses Frank as a potential suitor and imagines him as a match for
Harriet.
At a village ball, Knightley earns
Emma’s approval by offering to dance with Harriet, who has just been humiliated
by Mr. Elton and his new wife. The next day, Frank saves Harriet from Gypsy
beggars. When Harriet tells Emma that she has fallen in love with a man above her
social station, Emma believes that she means Frank. Knightley begins to suspect
that Frank and Jane have a secret understanding, and he attempts to warn Emma.
Emma laughs at Knightley’s suggestion and loses Knightley’s approval when she
flirts with Frank and insults Miss Bates, a kindhearted spinster and Jane’s
aunt, at a picnic. When Knightley reprimands Emma, she weeps.
News comes that Frank’s aunt has
died, and this event paves the way for an unexpected revelation that slowly
solves the mysteries. Frank and Jane have been secretly engaged; his attentions
to Emma have been a screen to hide his true preference. With his aunt’s death
and his uncle’s approval, Frank can now marry Jane, the woman he loves. Emma
worries that Harriet will be crushed, but she soon discovers that it is
Knightley, not Frank, who is the object of Harriet’s affection. Harriet
believes that Knightley shares her feelings. Emma finds herself upset by
Harriet’s revelation, and her distress forces her to realize that she is in
love with Knightley. Emma expects Knightley to tell her he loves Harriet, but,
to her delight, Knightley declares his love for Emma. Harriet is soon comforted
by a second proposal from Robert Martin, which she accepts. The novel ends with
the marriage of Harriet and Mr. Martin and that of Emma and Mr. Knightley,
resolving the question of who loves whom after all.
Conclusion-
The novel raises questions about the
possibility of womanly fulfillment in a society focused on rank and wealth,
about the social construction of womanhood, and about assumptions that women
are merely extensions of the property of men. Furthermore, regarding class,
other critics have viewed Knightley as an innovative, more egalitarian landlord
for his acceptance and incorporation of the views of tenants like the Martins. Emma,
a deserved classic, has a rich menu of themes and topics that continues to
evolve with modern interests and concerns.
Reference;-
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