Skip to main content

Kubla Khan.

Kubla Khan – S.T.Coleridge.



Summary.
This poem describes Xanadu, the palace of Kubla Khan, a Mongol emperor and the grandson of Genghis Khan. The poem's speaker starts by describing the setting of Emperor's palace, which he calls a "pleasure dome." He tells us about a river that runs across the land and then flows through some underground caves and into the sea. He also tells us about the fertile land that surrounds the palace. The nearby area is covered in streams, sweet-smelling trees, and beautiful forests. 

Then the speaker gets excited about the river again and tells us about the canyon through which it flows. He makes it into a spooky, haunted place, where you might find a "woman wailing for her demon lover." He describes how the river leaps and smashes through the canyon, first exploding up into a noisy fountain and then finally sinking down and flowing through those underground caves into the ocean far away. 

The speaker then goes on to describe Kubla Khan himself, who is listening to this noisy river and thinking about war. All of a sudden, the speaker moves away from this landscape and tells us about another vision he had, where he saw a woman playing an instrument and singing. The memory of her song fills him with longing, and he imagines himself singing his own song, using it to create a vision of Xanadu. 

Toward the end, the poem becomes more personal and mysterious, as the speaker describes past visions he has had. This brings him to a final image of a terrifying figure with flashing eyes. This person, Kubla Khan, is a powerful being who seems almost godlike: "For he on honey-dew hath fed/And drunk the milk of paradise.

Reference-





Comments

Popular posts from this blog

Palanquin Bearers.

Palanquin Bearers-  Sarojini Naidu. Summary. Palanquin bearers is a melodious poem. The poem describes the scene of a bride being carried on a palanquin. The poem generates images of royal wives being carried on a palanquin to their husbands house. The men who carried the palanquin felt that their job was special and did it with much happiness. The similies in the poem point to the fact that the men did not feel that their job was tiresome. Some examples of the same are, 'Softly, O softly we bear her along', 'She hangs like a star in the dew of our song' and 'Lightly, O lightly we glide and we sing'. Palanquin bearers is melodious and one of the most appealing poems of Sarojni Naidu. The poem describes the beauty of the bride while she is being carried in a palanquin. We are reminded of one of the ancient customs of carrying royal brides in India in decorated carriages to their husband’s home. Occasionally, the men of the royal families would trav

The Dance of the Eunuchs.

The Dance of the Eunuchs - Kamala Das. Summary- Included in the collection Summer in Calcutta(1965), 'Dance of the Eunuchs' is one of the most remarkable poems of Kamala Das. This is another autobiographical poem written in confessional style that symbolically portrays the poetess's personal melancholy in her own life.  'Dance of the Eunuchs' vividly conjures up the atmosphere of a hot, tortured, corrupt, sterile and barren world through vivid symbols and images. The dance of the eunuchs whose joyless life reflects the poet‘s fractured personality is a noticeable piece of autobiographical poetry. Kamala Das has vividly visualized the world of vacant ecstasy and sterility through numerous functional images and symbols in her poetry. In fact Eunuchs try to eke out a livelihood by dancing. Their dancing is mechanical and painful. The conditions and the climate are forbidding. The spectators are merciless. Even God seems to add their woes. The eunuchs

Old Stone Mansion.

Old Stone Mansion – Mahesh Elkunchwar. Plot Overview- The play, Wada Chirebandi, begins on the fifth day after the demise of Tatyaji (Venkatesh) the patriarch of the Deshpande family of Dharangaon. Dharangaon is a small hamlet in the interiors of   Maharashtra where the influences of commercial Bombay has slowly spread its tentacles. The play begins with Aai, the widow of Tatyaji, awaiting the arrival of her second son Sudhir and his wife Anjali from Bombay, to attend the 13th day rites. In the meantime, the eldest son Bhaskar and his wife, Vahini, has taken over the reins of the family by taking charge of the two objects of command, the keys and the ancestral jewellery box. Been a traditional Brahmin family, Bhaskar intends to conduct the rituals in full traditional fanfare even when the family has fallen in difficult lines.   Bhaskar expects Sudhir to bear the expenses, as his image of someone from a big city is that of been financially well off, while Sudhir