Skip to main content

Kanthapura.

Kanthapura- Raja Rao.



Plot Overview-

                    Raja Rao’s first novel Kanthapura (1938) is the story of a village in south India named Kanthapura. The novel is narrated in the form of a ‘sthalapurana’ by an old woman of the village, Achakka. Kanthapura is a traditional caste ridden Indian village which is away from all modern ways of living. Dominant castes like Brahmins are privileged to get the best region of the village whereas Sudras, Pariahs are marginalized. The village is believed to have protected by a local deity called Kenchamma. Though casteist,  the village has got a long nourished traditions of festivals in which all castes interact and the villagers are united.


                       The main character of the novel Moorthy is a Brahmin who discovered a half buried ‘linga’ from the village and installed it. A temple is built there, which later became the centre point of the village life. All ceremonies and festivals are celebrated within the temple premises. Hari-Kathas, a traditional form of storytelling, was practiced in the village. Hari-Kathas are stories of Hari(God). One Hari-Katha man, Jayaramachar, narrated a Hari Katha based on Gandhi and his ideals. The narrator was arrested because of the political propaganda instilled in the story.


                             The novel begins its course of action when Moorthy leaves for the city where he got familiar with Gandhian philosophy through pamphlets and other literatures. He followed Gandhi in letter and spirit. He wore home spun khaddar. Discarded foreign clothes and fought against untouchability. This turned the village priest, a Brahmin, against him who complained to the swami who was a supporter of foreign government and Moorthy was ex-communicated.  Heartbroken to hear it, his mother Narasamma passed away. Bade Khan was a police officer, a non hindu of Kanthapura. He was brought and supported by the coffee planters who were Englishmen. Considered as an outsider, Bade khan is an enemy of the people who refuses to provide shelter to him.


                      After the death of his mother, Moorthy started living with an educated widow Rangamma, who took part in India’s struggle for freedom. Moorthy was invited by Brahmin clerks at Skeffington coffee estate to create an awareness among the coolies of the estate. When Moorthy turned up, Bade Khan hit him and the pariah coolies stood with Moorthy.  Though he succeeded in following Gandhian non violence principle, the incident made him sad and unhappy.   Rachanna and family were thrown out of the estate because of their role in beating Bade Khane. Meanwhile, Moorthy continued his fight against injustice and social inequality and became a staunchest ally of Gandhi. Taking the responsibility of the violent actions happened at the estate; Moorthy went on a three day long fasting and came out victorious and morally elated.Following the footsteps of Gandhi, a unit of the congress committee was formed in Kanthapura. Gowada, Rangamma, Rachanna and seenu were elected as the office bearers of the committee and they avowed to follow Gandhi’s teachings.


                        Fearing the greater mobility of people of Kanthapura under the leadership of Moorthy, the foreign government accused him of provoking people to inflict violence it and arrested him. Though Rangamma and Rachanna were willing to release him on bail, he refused. He was punished for three months rigorous imprisonment. While Moorthy spent his days in prison, the women of Kanthapura took charge of the struggle for freedom. They formed Women’s Volunteer Corps under the leadership of Rangamma who instilled patriotism among the women by presenting thr historical figures like Laxmi Bai of thansi, rajput princess, Sarojini Naidu etc... Moorthy was released later and he came out as strong as he was. People thronged at his house were dispersed peacefully.


                                Dandi March, Picketting of Boranna’s toddy grove were other activities led by Moorthy after his release. Arrest of the satyagrhis, and police brutality to women became a part of the everyday life of the people in Kanthapura. Atrocities against women added miseries of the people. In the last part o the novel, it is mentioned that people of the village were settled in Kashipur and Kanthapura was occupied by people from Bombay.  The theme of Kanthapura may be summed up as ‘Gandhi and our village’, but the style of narration makes the books more a Gandhi Purana than a piece of mere fiction. Gandhi is the invisible God, Moorthy is the visible Avatar. The reign of the rodmen is Asuric rule, and it is resisted by the Devdas, the Satyagrahis. The characters sharply divide into two camps: the Rulers (and their supporters) on the one hand and the Satyagrahis (and their sympathizers) on the other. These are  various other divisions too.



 The dramatic tale unfolds in a poetic, almost mythical style which conveys as never before the rich textures of Indian rural life. The narrator is an old woman, imbued with the legendary history of the region, who knows the past of all the characters and comments on their actions with sharp-eyed wisdom. Her narrative, and the way she tells it, evokes the spirit of India’s traditional folk-epics. This edition includes extensive notes on Indian myths, religion, social customs, and the independence movement which fill out the background for the American reader’s more complete understanding and enjoyment.”

Comments

Popular posts from this blog

Palanquin Bearers.

Palanquin Bearers-  Sarojini Naidu. Summary. Palanquin bearers is a melodious poem. The poem describes the scene of a bride being carried on a palanquin. The poem generates images of royal wives being carried on a palanquin to their husbands house. The men who carried the palanquin felt that their job was special and did it with much happiness. The similies in the poem point to the fact that the men did not feel that their job was tiresome. Some examples of the same are, 'Softly, O softly we bear her along', 'She hangs like a star in the dew of our song' and 'Lightly, O lightly we glide and we sing'. Palanquin bearers is melodious and one of the most appealing poems of Sarojni Naidu. The poem describes the beauty of the bride while she is being carried in a palanquin. We are reminded of one of the ancient customs of carrying royal brides in India in decorated carriages to their husband’s home. Occasionally, the men of the royal families would trav

The Dance of the Eunuchs.

The Dance of the Eunuchs - Kamala Das. Summary- Included in the collection Summer in Calcutta(1965), 'Dance of the Eunuchs' is one of the most remarkable poems of Kamala Das. This is another autobiographical poem written in confessional style that symbolically portrays the poetess's personal melancholy in her own life.  'Dance of the Eunuchs' vividly conjures up the atmosphere of a hot, tortured, corrupt, sterile and barren world through vivid symbols and images. The dance of the eunuchs whose joyless life reflects the poet‘s fractured personality is a noticeable piece of autobiographical poetry. Kamala Das has vividly visualized the world of vacant ecstasy and sterility through numerous functional images and symbols in her poetry. In fact Eunuchs try to eke out a livelihood by dancing. Their dancing is mechanical and painful. The conditions and the climate are forbidding. The spectators are merciless. Even God seems to add their woes. The eunuchs

Old Stone Mansion.

Old Stone Mansion – Mahesh Elkunchwar. Plot Overview- The play, Wada Chirebandi, begins on the fifth day after the demise of Tatyaji (Venkatesh) the patriarch of the Deshpande family of Dharangaon. Dharangaon is a small hamlet in the interiors of   Maharashtra where the influences of commercial Bombay has slowly spread its tentacles. The play begins with Aai, the widow of Tatyaji, awaiting the arrival of her second son Sudhir and his wife Anjali from Bombay, to attend the 13th day rites. In the meantime, the eldest son Bhaskar and his wife, Vahini, has taken over the reins of the family by taking charge of the two objects of command, the keys and the ancestral jewellery box. Been a traditional Brahmin family, Bhaskar intends to conduct the rituals in full traditional fanfare even when the family has fallen in difficult lines.   Bhaskar expects Sudhir to bear the expenses, as his image of someone from a big city is that of been financially well off, while Sudhir